SOLD Minolta Hi-Matic AF2 Film Camera #2870051
SOLD Minolta Hi-Matic AF2 Film Camera #2870051
SOLD Minolta Hi-Matic AF2 Film Camera #2870051
SOLD Minolta Hi-Matic AF2 Film Camera #2870051
SOLD Minolta Hi-Matic AF2 Film Camera #2870051
SOLD Minolta Hi-Matic AF2 Film Camera #2870051

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• MINT condition • Lens & viewfinder free of dust, fungus and scratches • Tested with batteries, working well • Flash fires well • Autofocus is quick and smooth • Film winds accordingly • Shutter works when pressed • Cosmetic condition extremely good (as you can see from pictures) Comes with: • a beautiful original Minolta leather case (in great condition) • adjustable shoulder / neck strap • original Minolta lens & viewfinder cap (which doubles as a shutter button lock) I promise that what you see will be what you receive, or else I will provide a full refund immediately😊 Description: (credits to www.35mmc.com) What's so great about the Minolta HI-MATIC AF2 compact film camera? It is a fully automatic, can’t-set-anything compact 35mm camera from the 1980s. It has all the niceties: a pop up flash, a self timer, and an electronic beep that bravely attempts to save you from underexposed shots. It takes two AA batteries. This should be the law. I have no idea how many different kinds of lithium rechargeables and non-rechargeables I’ve had to buy just to be able to test one camera that turned out to not have been worth it. In my perfect world of vintage cameras, everything would take either SR44 1.55V cells, AA batteries, or AAA batteries. With everything else, you’re just making life complicated for hard-working people wanting to take a Sunday stroll with a piece of vintage photographica. Even my favorite, the Riva Mini gets this wrong. There, I’ve said my peace. So pop in the AA batteries, and thread in the film – yup, it’s thread-in-film old – and close the back. If you point the camera at something and it beeps at you, it’s time to either snap the flash into its popped up position (a very satisfying “clack” that makes), or to try your luck not shaking too much. The lens is a super useful 38mm focal length, and it goes down to f2.8. That’s not stellar in terms of aperture (my Canon AF35ML has a 40mm/f1.9), but it’s good. Then frame your subject, using the single autofocus spot in the middle, which works fine as long as you can see your subject. No LED: good, red LED: bad. There’s also an LED indicator in the nicely bright viewfinder that shows you whether the camera is focusing near or far, which is great if you take off-center portraits of people and want to make sure their face is in focus rather than the duck pond behind them. The AF2’s claim to fame is that it was one of the (if not the) first compact with active infrared autofocus. Which brings me to my favorite game, “Who and what is this one good for?” It’s good for you if you want a camera with modern conveniences but manual charm (build quality is good, but Minolta’s rangefinder Hi-Matics from the 70s were better; there’s plastic here, I won’t lie). It’s for you if you like the idea of autofocus but don’t like the idea of auto film advance. If you’ve always wanted a Canon AF35ML or Nikon L35AF but couldn’t stand the fact that a motor would advance the film for you, the Hi-Matic AF2 is for you. The AF2 is for you if you want a camera that’s comfortable to hold and will enable you to take shots at slower speeds than a compacter compact maybe would. It’s for you if you like to use filters, the ones I prefer or any other kind. The Minolta Hi-Matic AF2 is for you if you like good lenses. It has a darn good lens. I bury the lede here. For a compact, or any camera, it has a really good lens. I especially like it on black and white photos. They’re generally well exposed, with or without flash. There’s more bokeh here than I would have expected, and it’s nice bokeh. Images have a timeless quality. They glow like old prints from a Rolleiflex. I wax poetic – but there really is a certain something about pictures from the Hi-Matic AF2 I haven’t gotten with any other lenses – except the one on my Minolta Autocord TLR. The Riva Mini is sharp and looks good, but there’s a final little something missing in comparison with this one. Minolta’s SLR lenses are sharp and make beautiful pictures, but the only one that has the je-ne-sais-quoi of the AF2’s fixed lens is the 35/f2.8. Maybe someone more versed in lens design can point as to why that is. What I can say is that the images that come out of this camera look great. Tags: Leica film camera instax Canon AE-1 Nikon Olympus Pen Rollei Leica Pentax K1000 Minolta X-700 flash light seals SP F2 f-1 holga pen Polaroid Fujifilm instax film roll analogue film film film film film camera camera camera compact pinhole vintage


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