Sony Alpha a6300 Mirrorless Digital Camera with 16-50mm Lens Black
Brand new Sony Alpha a6300 Mirrorless Digital Camera with 16-50mm Lens, 24.2MP APS-C Exmor CMOS Sensor BIONZ X Image Processor XGA Tru-Finder 2.36m-Dot OLED EVF 3.0" 921.6k-Dot Tilting LCD Monitor Internal UHD 4K30 & 1080p120 Recording S-Log3 Gamma and Display Assist Function Built-In Wi-Fi with NFC 4D FOCUS with 425 Phase-Detect Points Up to 11 fps Shooting and ISO 51200 Sony 16-50mm f/3.5-5.6 OSS Zoom Lens UHD 4K Video Recording Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 20MP (6000 x 3376) resolution, 2.4x oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling. Custom Color Profiles and S-Log3 Gamma Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3.Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space. Additionally, the popular S-Log2 setting is also available.
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